10414642_397561130402379_5213731756111745218_nOn the tables, the candles flickered fiery and flirtatious, sparkles stolen from the mighty forges of the upper world. In the corner, her face coloured golden by the flames of the fireplace, a bard was singing skilfully to an ungrateful crowd. In The Heartfelt Curse to the Three Steps Down business was as usual. Blunt creatures of sly dark nights filled the rooms – thieves, smugglers, adventurers, brothel girls, all thirsty for cheap wine and rich gossip, just the way we liked it.

The herald cut through the crowd like a deftly thrown knife. He couldn’t have been more than twenty, yet he already carried himself with a stern self-confidence that would have made you guess him older.

‘Hello, Conor,’ he greeted me once he reached us, ‘one can always trust you to sit with the prettiest girls in town’ his sharp eyes flickering towards my companions with an appreciative nod.

‘As one can always trust you to ruin my recreations.’ I grinned. I knew him well. Ever since four years ago I found him half-dead in the private cellars of a Dewaran warlord. A smart kid even then, bargaining for his life with the right information, but the year he spent there prior to my arrival left him with a chill that would make anyone permanently frosty. ‘Sit down and have a beer with us, Gered!’ I ordered, signalling to the barkeep.

He squeezed in between the dolls obediently, seductive lips cooing over his dark curls that ended in bright blue tips, but his face remained grim even when his jug was tossed in front of him with a cheerful thump. I sighed.

‘Let me guess. He wants to see me.’ I offered. Gered was happily cursed with one of the world’s richest bastards as an employer now, thoroughly obsessed with magic artefacts at that. He had the money to buy them, too and had even more to buy my talents to get the ones he couldn’t. ‘What is it this time? He found out he couldn’t fit into Anthoro’s Enchanted Slimming Wear?’ I laughed, catching the eyes of the ladies as I mused.

‘He wants to see you about something else.’ He replied in a tone that finally snuffed out my good humour entirely.

‘Fine,’ I said. ‘Why don’t we take a little walk outside?’ I stood, lifting my jug as I went. There was no need to waste the ale.

Once we were out of earshot, he turned to me. ‘It’s the urn he wants.’ A few curt words that caught me mid-sip and saw to the beer spraying right out of my mouth.

‘What?’

‘He wants you to steal the urn.’ He repeated, the noise of the tavern still strongly audible in the background.

‘There is no one who could steal that for him. He must know that.’ I said, wiping the excess beer off my face with the back of my hand. ‘The mechanical and magical defences are challenging as they are, but there is not much you can do with death himself guarding the premises. Zerillys might be bound to the crypt by a powerful enchantment, but stealing the urn would set him loose. And it’s a little difficult to outflank a monster that never sleeps. Besides,’ I added, ‘the theft would bring destruction and bloodshed on the town. And I like it here.’

‘Damien knows you always find a way, no matter the odds.’ Gered stated, expertly playing for my ego and pride. ‘You are famous for it.’ The little shit knew me too well. I spent a long minute silently considering the matter, but eventually resisted the lure.

‘No.’ I said slowly turning back towards the tavern. ‘Tell Damien he doesn’t have enough gold to have me turn this place into a graveyard.’ I declared with an eagerness to return to my cosy table, out of the way of the bitter wind that was now picking up.

‘But you see, Conor’, Gered put a hand on my shoulder, turning me back to look at him once more, eyes piercing me with a sad certainty, ‘the thing is, that you are going to do it. Everyone has a price.’

.

***

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Art by Maciej Kuciara

Peace is an illusion. People always fight, people always suffer. There is always pain, always hurt, always violence. Maybe not the same kind, for rather than taking your life all at once, it steals away years without you even noticing. Worries over loved ones, jealousy over despised ones, too much hard work earning your copper, too much idleness enjoying your gold. It makes you ignore how rapidly your days are running out. It makes you think there’s later. It makes you forget the reaper is whetting his blade just around the corner. And without you even realising, you’ve been tricked out of it all. So I always maintained the view, it’s best to keep ahead: no matter how much life is trying to snatch from you, as long as you already have more stolen.

The Urn of Ahalan was perhaps somewhat of a challenge, even for me. Keeping it safe in Aleanna’s Cathedral ensured the peace between the Wolgs and the Ragels, two lands with the most blood smeared pages in anyone’s history book. There were many who preferred things this way, but then again there are always a few who could see the bigger picture and had the means to paint it across the world.

The head of the Ragel Sapphire Merchants, Damien Ramnolf, was such a man. He was short in build, high in ideals. He had this clammy way of speaking that soaked you to the bone with all kinds of visions about how to make it stop. Made you wish you were an assassin looking down at him, rather than a thief just um… looking down at him. Not that me being a head taller seemed to unsettle him much. He knew well his strengths and was pretty much used to getting anything he wanted. Almost as much as me.

‘… and of course there is the magical barrier as you would know’ he was dribbling on, testing my patience to its last limits, taking me dangerously close to reaching out to my right where his red parrot was sitting on a perch and demonstrate my exceptional grasp on how to do my job. Instead, by way of interjecting, I pulled a silver watch out of my pocket and raised it purposefully, flipping its cover open with my thumb as I cut him off. ‘Time is a precious commodity, let’s not waste it longer.’

At that moment several things happened at once. Out of nowhere a door appeared in the wall to our left. Damien’s breeches disappeared from view, exposing two rather hairy legs poking out of silken pantaloons. And the parrot fell off the perch with some exaggerated theatricality. That almost took me by surprise, but then again I always praised myself on being able reaching the same conclusion one way or the other.

‘Clever, eh?’ I flashed my winning smile. ‘It unbinds all magic in a twenty meter radius for exactly five minutes.’ I could see his piggy eyes staring at it in disbelief as he was trying to reach for it, but I snatched my hand away. ‘It was specially made for me, however and only works in my hand.’ I grinned as I tried not to look him up and down. ‘But, no doubt, it will be of great assistance in seeing through our … um plans.”

Damien Ramnolf seemingly composed himself, walked behind his tremendous desk and sat down. He got out a parchment, ink and scribbled down something.

‘Here is half of the payment we agreed on. The name and the whereabouts of the person you’re looking to question. The coin you’ll receive once you return with the urn.’

I’m not going to lie, my mouth went dry at that. My heart started to beat in a drunken fashion, as if not quite sure whether to soar or collapse. The Supreme Key. The very thing I have been looking for half my life. A quest. A dream. An obsession. Just the pure thought of it flooded my veins with an unbearable desire to find it. My confident smile faltered, but I dragged it back on. I approached the desk expertly faking a dignified manner, which would have been undoubtedly reduced to the composure of a little girl at a cake stall if not for the trade master sitting right in front of me.

“Is that right? And just how can I know how reliable this information is?’ The tease was unneeded. Damien Ramnolf was renowned for his spy network and his ability to acquire the most guarded secrets across the Nineteen Kingdoms. In addition common sense told me not to push him any further. But it was just too much fun.

He raised an eyebrow and slightly tilted his head to the side as he looked up at me. ‘The trainee priestess you’ve been sleeping with these last three nights to acquire information about the Urn was wearing a silver breast band last night dotted with little moon symbols, for that short time at least you let her do so. She was not completely satisfied with your performance the third time around. Time is a precious commodity, Conor, let’s not waste it any longer, shall we?’ For once I couldn’t agree more.

I took the parchment from him. ‘Selpheros Bora Castaunos, Merdillion High Library, Andastos’ it read. Too damn far to just pop around before completing the work, even if I was considering making a run for it. But I wasn’t. I wanted the gold, craved the challenge and needed to keep Damien in my good books. So I turned, walked past the disappearing side door, glancing at the parrot flying back to its perch.

“You have three days, Conor, three days!’ I heard Damien’s voice behind me. I flicked the bird’s head from behind with one hand, held up the parchment at the same time in front of it with the other, giving it a wide berth all the while as I responded casually. ‘Don’t worry, Damien,‘ I said as the flames burst from its beak lighting the vellum in my hand. I watched it burn. ‘The Urn will be delivered well in time. I can’t wait to go to Andastos and see this Selphi for myself.” I stepped away from the displeased animal and exited the room with a considerable amount of determination, leaving a swirl of burnt parchment petals slowly descending in my wake.

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***

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1780795_380069805484845_6176190907324948255_nThe late afternoon sun forged suggestive dark images onto the cobblestone while I walked to the Temple of the Light. As I was approaching I looked at its glistening walls, the masterfully engraved symbols, the graceful towers. I inhaled the sweet-smelling scents, listened to the enchanting harmonies luring me inside and understood why people see it as a vision of heaven. But we are gullible creatures and see what we want to see. Give us illusions bright enough to mist our eyes a little, give us dreams sweet enough to hope, give us a heart big enough to care and we’ll see heaven where there’s only hell.

I entered the temple and soon enough caught sight of my little angel, wrapped in an eye-pleasing white robe, long brown hair lusciously tumbling down in unpredictable waves to her waist as she knelt in front of Sarianna’s likeness. I looked at the Goddess with an apologetic smile. I’ll keep her devotee’s heart for now, she can have her soul later – seemed like a fair deal to me.

I kneeled beside Esten, imitating prayer and whispered: ‘Did you know that your constant throaty murmuring is disrupting the deep spiritual work I’m attempting to undertake in the other end of the hall?’

‘You didn’t seem that bothered about it last night,’ she whispered back haughtily.

‘Oh, it was fine for me, of course!’ I enthused, ‘but here… the lack of appropriate murmuring tone is a very serious business! I strongly advise, Lady, that you immediately accompany me to a most pressing practice session!’

She smiled and gracefully rose with a coy side-glance at me, before turning and walking out to the light. I caught up with her quick enough and gently steered her towards a street leading down to the river. ‘We are going someplace else tonight. It will be fine.’ I added hastily, seeing the appearing creases on her forehead. She didn’t look convinced.

‘Have my things been taken over there already? My combs? My favourite bath-oil?’ she demanded.

Spend enough time with women and you’ll know a tantrum when you see one. Spend a lot of time with women and you’ll know the cure for each and every one of them. Of course, it also helps if they generally consider you better looking than any human man has the right to be. I pulled her close with practised moves.

‘I have something special prepared for us. You’re going to love it.’ That worked, as it always does, and she let me provide a taste of what I had in plan. The dream-root I soaked in the sweet cherry wine will still allow me a little time with her before I set off and attend to other business, I thought as I was kissing her, stroking her back with one hand, carefully pulling out a little red feather of the hair tangle and discarding it with the other.

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***

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cat_new2The following evening the world turned on a sigh. The shift rattled through the bones, twisting hearts along a different melody the wind was now humming, twirling all the pieces around into a skeleton of unborn truths. It was the sigh of a prisoner waiting in the shadow of my tomorrows, wishing upon every star. Somewhere, in a far-away land, a key was singing to me, its sweet melody growing more enchanting by my every night.

I told Esten I had some things to do that evening and just to be sure, I made a few unnecessary circles in town before climbing over the city wall in a half-lit spot, grabbing a torch for the road as I went. Outside I cut through the quiet forest to the abandoned well, which sheltered a secret tunnel to the cathedral basement in its belly and in no time I was opening the locks of a hidden door on the other side. Gaining ingress, just like with women, was always the part I enjoyed most. It’s staying too long that steals away the fun, not to mention your freedom.

The door gave with a soft squeak and I entered into a small passage leading to the crypt. I walked through resolutely, knowing well what was coming, still when the sharp pain hit me I stopped and obediently crouched. The revenant was closer than I hoped, waiting for me patiently, willing me to approach him humbly on my knees as most men would, begging for mercy. I clenched my teeth and pushed myself up. The power of any pain lies in your perception. Get your little toe stubbed on your way to the privy at night and you’ll be in agony in a second. Get your leg stabbed in a deadly fight and in comparison you won’t feel a thing. At least until the fight has finished – supposing you’re lucky. Otherwise, even then, you won’t feel a thing.

I closed my eyes and focused. The pain was wrapping me inside into a violent blizzard, thundering through every nerve, using my spine as the lightning rod. I deeply inhaled the cold, musty air, commanding it against the crushing clouds within, with all the force of seven harsh years I spent practicing in the mountains of Minar Desh. Ten more breaths and I was able to edge forward again, enjoying the taste of triumph in my mouth, ignoring the tang of blood as it started trickling from my nose. Still I smiled. Nothing makes you more alive than a touch of death.

Zerillys was hovering above the grave of Honras, the Merciful, whether by chance or irony I never did find out. He didn’t look happy about my small victory, but of course his kind never truly looks happy, as a generally recognised guideline in the Book of the Undead.

‘Have you come to finish what you started?’ he asked in a frosty voice, menacing black eyes screaming into mines.

‘That’s the plan.’ I nodded. ‘And I’m hoping to push it through without stumbling into any dead-ends.’

He was upon me in the blink of an eye – my eye that is, since he never blinked.

‘My existence here might have its limits, but don’t think you can play games with me! You take one step out of line and I’m free to leave these walls and feast on your flesh.’

I was considering pointing out that once I was upstairs, one step out of line would in fact kill me before he even reached the dining room, but I thought better of it. His stench close up was so overpowering, I decided it was more beneficial for me to hold my breath.

He finally let it go and floated out of my way. I briskly took the chance and advanced towards the stairs at the far end of the hall, momentarily stopping at a half-open sarcophagus to peer inside. Suddenly there was a kind of scattered hissing noise. I turned shocked. Zerillys was not far off, emitting the sound and shaking slightly with it. It was the creepiest laugh I’ve ever seen.

‘Conor, I promise you,’ he said after a while, ‘no one would be mad enough to take anything from here. Not if they intended to leave alive.’

‘Good to hear!’ I called back and sprinted up the stairs.

When the decision to keep the relic in the cathedral was made, a smaller army of architects, inventors, blacksmiths, engineers and bowers were summoned to create one of the most effective defence systems the world has ever seen and boy, have they succeeded. It was specifically designed to keep out guys like me, which is precisely why I loved it so much. Not that I didn’t have a name for myself already, but conquering this mechanism, or Aleanna’s Wrath, as the locals called it, was certainly something I wished to list under my more significant achievements.

The system was turned on every night by the High Priest by flipping a number of adjustable nails on a small metal board next to one of the side entrances, arranging them into a certain combination that he changed daily. Had I known the combination of the day, my evening would have been a lot easier, alas more boring, too.

Upon activation it opened a number of hidden cases built into the walls that held poisoned arrows, ready to be shot at unwanted trespassers. It also set several other devices in motion which main purposes included splitting intruders into two, spearing them, flattening them to the ground and burning them alive. Obviously trapping and questioning unwelcomed guests never occurred to any of the masterminds.

I emerged from the basement and looked around. The building slumbered peacefully under a light purple glow that was radiating from the magic barrier shielding the Urn. It was placed on the top of a single column near the High Altar. I set the torch down, no longer needing it in the eerie light, and cautiously started stepping forward along a straight line. The arrows were designed to be released upon stepping on certain stones or touching particular spots on walls and arches. As far as the floor was concerned, following a specific pattern was required to stay alive. A pattern that Esten taught me, by drawing it on my bare chest a hundred times and making me do the same on her with a rose scented massage oil. A pleasant class, all in all, though some might have considered it learning it the hard way.

I must have been about half way through when I heard noises. As I looked to see where it was coming from I discovered a pair of amber eyes curiously measuring me up and down. It was Doorkins, the church cat, sitting on one of the benches. The stupid animal must have hid somehow when the doors were closing and was now lurking inside, showing strong inclination towards coming and inspecting me from closer.

‘No, no, no! Shoo! Shoo!’ I hissed urgently to no avail, as the cat gracefully jumped down and slowly started heading in my direction. I pulled the first thing out of my pocket, a lockpick, aimed and hit the cat, although my attention was promptly demanded by an arrow, missing me by an inch. Next I took out a throwing knife, but by the time I turned, the cat was gone. I hesitated for a minute. This was not a good time to play hide and seek and I reluctantly decided to advance on with some added urgency.

I soon reached the column that was about five times my height. I slid on a set of climbing claws on my hands, flipped on my watch and started to climb. The Urn of Ahalan was a surprisingly simple piece of pottery. Humble white clay with understated floral pattern around its neck. You really wouldn’t have thought much of it, if not for the elaborate defences.

I was almost down once again, when a side door opened and someone stepping inside de-activated the cathedral’s defence mechanism. Damien Ramnolf sneered up at me, with a handful of his armed men following in his wake. I was promptly surrounded and with the blades pointing at my neck I passed him the urn with a grimace.

‘Very good, Conor’ he stated condescendingly and let it go. ‘Although it’s a shame you were so clumsy in the end!’ The urn hit the floor and smashed into pieces. ‘Search him!’ he ordered. ‘Most importantly, look for a silver watch!’

‘I knew you could do it’ he continued his tiresome monologue, while my possessions were being confiscated ‘Though I wonder how you were planning to sidestep Zerillys. Taking the urn out of the cathedral would have set him loose, you know.’ He stepped towards me holding the business end of a knife to my face – as an indication that my response, in fact, was not required.

‘And the watch that only works in your hands?’ he carried on gaining momentum now. ‘Well, I’m sure I can make a favourable deal with the High Priest in order to acquire both of them. You won’t need them anymore, after all, and I know a few highly accomplished embalming experts!’

‘Nice little plan there, Damien,’ I hissed. ‘You have your war, my watch and you don’t even have to pay me anymore. And you almost pulled it off!’

I could see his confusion at that, but our conversation was cut short by the main gate opening and the High Priest marching in with about a hundred city guards.

‘Conor Drew, I arrest you for high treason in the name of Ronar the Third, King of Ragellan and Nersia, Lord of Thedos. Surrender yourself in this instant!’ he commanded in a booming voice, undoubtedly trained to a perfection during countless majestic performances within the very same walls.

To be fair, I did not see how I could have surrendered any more than I already was, standing there encircled by swordsmen, Damien smugly holding my watch in his right hand in front of me.

‘With all due respect, Your Excellency, I am by no means at fault in these proceedings.’ I said. ‘I was hired to steal the Urn by this man, Damien Ramnolf, Master of the Sapphire Merchants in Regal. It is he, in fact, who has been conspiring against the King, hoping to destroy the Urn and start a war with Wolgland,’

‘That is an interesting claim to make, thief! But even if I accepted what you’ve just said, that would still not make you innocent. You are a known culprit, caught in the act! It would still not change the fact that the Urn has been destroyed and Ahalan’s ashes spoilt! You have brought shame and peril on us, for which you deserve nothing but death!’

‘I will have to strongly disagree with those harsh words, I’m afraid,’ I objected, mock hurt playing on my face. ‘For it is me, who uncovered a traitor’s plan, helped you catch him and saved the Urn. For which services, being a humble servant of the kingdom, I only accept a small payment of a hundred gold, to cover some of my expenses,’ I added modestly.

‘What are you talking about?’ he demanded. ‘The ashes are right in front of you, spilled onto the floor!’

‘Oh, but these are not the ashes.’ I responded calmly. ‘This is just silt I collected on the riverside a few days ago. And if you look at the clay pieces carefully, you may find that the pattern is not quite the same as it is on the Urn.’

‘What?’ He thundered in astonishment and made his way closer to inspect the broken vase. ‘You exchanged it? When?’

‘Last night I dropped by. My evening entertainment proved a little shorter than expected, so I had quite some time on my hands and thought…’ I flashed an angelic smile.’ that this might be important.’

‘Conor!’ he pressed on, a touch of relief now perceptible on his wrinkled features. ‘Where is the Urn?’

‘I left it with Zerillys in the crypt, in a sarcophagus. He can also testify to everything I have just said.’

‘Guards, release him!’ he ordered instantly and turned. ‘Damien Ramnolf. I arrest you for high treason in the name of Ronar the Third, King of Ragellan and Nersia, Lord of Thedos. You and your men are now in Captain Logan’s custody and will await your trial in the city dungeons.’

And with that I snatched my watch back from Damien’s open hand. Time is a precious commodity and I had none of it to waste, if I was to find Selpheros Bora Castaunos still alive. For I had no doubts that the trade master’s influence reached through the prison bars and far beyond. Far and fast, like wildfire across the land, which I was now racing up to the north.

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Submitted comments:

1.

Really, very good. Atmospheric and characterful. A charming hero about whom I would like to hear/read more and with a good twist at the end. Enchanting prose and a light feathery touch where it matters, hinting and alluding at matters unseen, so that images pass from the mind of the author to that of the reader without ever needing to be drawn in detail on the page between them.

Also the images you’ve selected complement the story beautifully.

Now I’m off to either finish my review of Daniel Polansky’s Low Town trilogy, or resume my reading of Teresa Frohock’s Misere, and this little piece is not at all out of place in their company

T.O.Munro


2.

Phew! You are very brave to submit yourself to “trial by peers” but I find myself almost unaccountably pleased & relieved to report that I loved your story!
For such a short tale it managed to display interesting protagonists, a pleasing plot and an intriguing setting, all wrapped around some delightfully resonant philosophical musings and peppered with a fair sprinkling of humour. Colour me demanding, but I want more…
Seriously, I’m delighted for you. At the risk of over-doing it, I do believe you really have got that indefinable “something”, whatever that may be.

davieboy99


3.

Beautifully written prose drives an incredibly fun plot. Well timed aphorisms and humor season your tale perfectly. I too would love to read more of the debonair Conor and his adventures and conquests.

KC


4.

Very nice! The main character is smart, debonair and I liked the first person narration. His thoughts are also very interesting and the story fast-paced. If I can make a little critic, the end is a bit too rushed, there’s no real explanation as to how Damien and his guards gain entry so freely in the cathedral and deactivate the alarm (was he in accord with the High Priest, then why did they enter separately?) and the High Priest changes his mind about who to arrest too easily, and it’s a bit too trusting to come forward alone and when he orders the guards to release Conor, does he address Damien’s guards? Also, I think Conor has too much time to explain while Damien just stays idle. Thank you, looking forward to the next episode!

Nori

 

 

golden_thoughts_by_northernmonkeyz-d2jiie6On Monday morning I let my feet chase their whims and I find myself on the longer route again, the one that leads by the bench. Every step beats the rhythm of a song borrowed from a dream, drawing me closer and closer, back in time. My heart pounds loud as I enter the park, following the path that takes me along the old trees, guardians standing on the borderland of my yesterdays. I turn my head slightly to the left as I reach the bench and see another woman sitting there, laughing into her phone. I steal a quick glance at her, smiling as I turn my head away.

And I remember the joy, telling and coy.

On Tuesday morning the sun smiles as I walk and winks at me from behind frisky clouds, when I look up and find a man sitting on the bench. He’s wearing a suit and a frown, lines of great importance transforming into letters as he scribbles into a notebook.

And I remember the words you couldn’t say, fading away.

On Wednesday morning a cold wind is teasing me for tears and I see a couple huddled together, their knowing smiles filled with the happiness of their tomorrows.

And I remember how close you felt as my heart melt.

On Thursday morning I see an old woman resting there, eternal wisdom in those eyes.

And I remember how time stopped, when a new perception changed the laws of reflection.

On Friday the kids scream, reminding me how crazy I’ve been. In the rain the umbrellas cry how safe I felt with you back at that time. In the fog I recall how blind I felt with that silly happiness I could no longer control.

Like the sun’s reflection in a million teardrops after rain, like an endless echo of that single morning I retain, when I sat on that bench and felt more certainly than ever before, that it was one of those few mornings my life was truly worth living for.


Image by northernmonkeyz

GANDALFI never used to write reviews, I never used to care. I mean there are billions of the thing online already everywhere, written obviously by people who are more qualified to do so, who know this stuff better, who know what to say and how. Who would care what little me thought of a book, anyhow? What if it’s not even right, right? I might have misread something, after all or forgotten half of it already? So to save time, energy and some very likely embarrassment why not just leave this to those who can do it…

And I was very comfortable with this worldview of mine, until one day I came across this strange, eccentric fellow, who happened to be the first author I met online, and who really did want to know what people thought of his books. Even me!

Well, hell. Technically I haven’t even read them, I listened to them as audiobooks. But I did love his first two so much, felt so grateful to him for writing them, was crazy excited about the third one coming out in a few months’ time and since he seemed to care so much I penned up my first ever review for him on Goodreads which simply said:

 

A review of King of Thorns

“Brother Mark. Many thanks for writing the book – which technically I have never actually read. As you know. As a non-reader of your book please allow me a letter of complaint.

In the many written commentary of yours I did not come across one single warning about the consequences of opening a door to the Broken Empire. The tube stops I would miss as temporarily lost in some awful dead-end marshland somewhere far far away, the sleepless nights spent witnessing violent deeds of blood and fire, subsequently running late for work the next morning (and still helplessly missing the stop while reminiscing about events that took place four years earlier), the extra slice of cake and coffee I had to order in my lunch break even if I was full already just so I could spend ten more anxious minutes finding out how a cruel murderer would escape a difficult encounter and all the funny looks I was given on the street when grinning like an idiot once he solved the situation (in a way I would in no circumstances call honourable) and loving him for it.

Brother Mark. Perhaps you would care to offer a considered opinion as to how one is to go on with everyday life once all this disruption pauses and all you find yourself wishing in the silence is that it would sweep you away again.”

 

Is this a traditional-looking review? Perhaps not. But does it suggest that I liked the book and thought it was good? I think so. And a few people even liked it! He, himself liked it and even responded to it, recommending some kind of stasis chamber for me I only emerge from when he has a new book out. So I decided that this was not that hard, after all and it felt so rewarding, that it was definitely worth the effort.

hatsune_miku-998586I started reading reviews, trying to decide what I liked about them and what I didn’t. In fact, I even did a little research on reddit, asking folks what in their opinion made a good book review. I was lucky enough to receive some very good answers. Fantasy author Sam Sykes emphasised the importance of honesty, Michael J. Sullivan finding a reviewer who is in tune with your taste one way or the other, while Mark Lawrence was hoping to find that his books have moved you, explaining that he would expect pointers or useful criticism be made by a critique, rather than a reviewer. These were but a few of the answers, and you might find it interesting to see the rest here.

After all this big work however, by the time I finished the third Broken Empire book, being a slow reader and all, it was almost December and there were again hundreds of reviews already everywhere; on Goodreads, on many various blogs, on Audible, Amazon, written by readers, written by authors, written by professional reviewers, you name it!

Was there anything left for me to say, that hasn’t been already said? I very much doubted it. But I felt so inspired by the book I just read, my heart so full of beauty and wonder, that I have decided to write one anyway.

1150289_10151771412442156_356148559_nAgain, some people liked it, including the author, which was reward enough for me as it was and so you might imagine my utter astonishment when I learned about six weeks later that my review was circulated by the editor within the book’s publishing company, Harper Voyager, and that I was to be sent an advance reading copy of the next book, allowing me to read it three months before it was even out! I tell you now, I didn’t feel a thing about my review being so glamorously received. I just couldn’t take it in. Because upon hearing about getting the next book of my favourite author early, my first ever ARC, I was way too busy laughing, crying, singing and riverdancing in the middle of the living room, all at once.

Time passed and since then I reviewed some more books, always feeling good about it afterwards. My posts might have only been appreciated by just a handful of people, but even that felt rewarding enough. One of my favourite moments was actually spotting the dad of the author, whose book I was reviewing, liking it on Facebook. It was just such a wonderful thing to see that I believe, right then, we felt proud together half the world apart.

Another one was, just this week, being mentioned by Nimue Brown in her blogpost titled ‘Reviewing as an art form’, in which she wrote ‘I’ve been blessed with two reviews recently that are pieces of art in their own right and should be honoured as such. There’s a profound emotional response in Mitriel’s review of Hopeless Maine. It makes the story into something personal, suggesting the room for other people to do that, too. It touched me greatly.”

What more is to say? Such is of the course of deeds that move the wheels of the world: small hands do them¹. If you spread the word about good books you enjoyed and support their authors, it will be a better place. Stories are part of the glue that binds us together². This holiday season please spare a thought for all that they gave you and do something for them in return.


1. Quoting J.R,R. Tolkien from the Fellowship of the Ring

2. Quoting Mark Lawrence from ‘Why do we need stories?’ a blogpost by FantasyFaction

“I have learnt to spin words like dervishes, to bewitch and blur reality.”

The Salt Road by Jane Johnson

 

15458_10152817438097156_3507375195802798929_nI still remember that moment a few weeks back, my train approaching London King’s Cross Station, me closing the book around a hundred pages in and exiting the train carriage onto the platform. That was the moment, when out of nowhere a short dialogue from J.R.R. Tolkien’s Lord of the Rings occurred to me, Frodo Baggins asking Sam Gamgee after his first encounter with the elves:

“’Do you like them still, now you have had a closer view?’

They seem a bit above my likes and dislikes, so to speak,’ answered Sam slowly.”

And there and then I realised, this is exactly how I felt about The Salt Road.

 

1519650_10152184893304793_1296972552_oJane Johnson, as a writer, is well above my likes and dislikes. But then again, what was I expecting?

She’s been writing since childhood, is a publishing director at HarperCollins, published the works of J. R. R. Tolkien during the 1980s and 1990s and works together with authors, such as George RR Martin, Sam Bourne, Raymond E Feist, Robin Hobb, Tom Knox, Dean Koontz, Mark Lawrence, Stuart MacBride, and Joe Abercrombie. And by no accident.

 

1519650_10152184893309793_622830324_oI found The Salt Road not just very well written, the language skilfully bringing to life the Sahara desert and Morocco, where this historical novel is set, but also thoroughly researched, the author’s personal experiences giving the descriptions a depth that firmly transports the reader into another world.

The harsh scenery she paints hooks you not just with its many perils, but it also captures the awe that make so many people fall in love with it.

 It is a tale of two women, from two different worlds and times, effortlessly and masterfully woven together around a mysterious amulet. Just like all important things in life, its story starts from the heart and moves wider and wider still, introducing us to flavours of exotic cultures, the life and history of its peoples, twirling their enchanting and colourful world around us, only to eventually bring us back to where it has all started, the heart.


Jane Johnson’s website: www.janejohnsonbooks.com1506290_10152207479134793_2139280069_o

where you can also read an excerpt from The Salt Road

and you might also enjoy an interview I did with her earlier this year, where she talks about three authors she works with as an editor, George R.R. Martin, Robin Hobb and Mark Lawrence

Photos by Abdel Bakrim

10440166_1492074717726874_7448050885196273149_n“Once upon a time, we fought demons together.
Now we are older, wiser.
We give our demons different names.
And no names at all.

This is not a story about growing up.
It is a story about thinking you had grown up already.
And finding it wasn’t that simple after all.”

 

Hopeless, Maine, Inheritance felt a lot like a dream. It pulled me into its world greedily, keeping me under its quirky, fascinating spell until I reached the last page and beyond. The style of storytelling was most intriguing. The pictures, the amazing little details, the mood like a nameless shadow rising from the pages often overtook the role of the words where those left off, connecting the scenes and revealing more than the writing alone would have been capable of.

There is a beautiful sadness leaking from the book, resonating the loss of love, as those close to your heart one way or the other disappear from your life and the chilling ache that creeps up on you in the silence they leave behind. The story paints a reflection of our own world, a curious place crawling with mysteries, one we cannot leave but are destined to keep searching for answers, trying to make sense of the ones we’re given, hoping they don’t conceal meanings we feared.

Despite the grim events there is a touch of warmness carefully hidden behind the interiors, it trickles through the spontaneous smiles and the mischievous dark humour. It unites us with the characters in the hope, that we can somehow make all that we’ve been given better, that happiness is not beyond reach and finding our ways through the many hardships of life isn’t, after all, entirely hopeless.sal_s_progress_by_copperage-d6zum53

 

 Tom Brown deviantart gallery

Nimue Brown website

Hopeless Maine website

19544354I can’t recall ever starting to read a book with a nice cup of tea, with rose scented candles flickering on the table and soft Celtic melodies playing in the background. But there was something about this cover. A hint of magic as I touched it.

Hauntingly beautiful, a friend said once, which is all true, although you don’t truly understand the meaning of these words until you let the book open you and whisper its dark, adorable little secrets inside. Don’t let the enchanting drawings deceive you, there are wild powers at work here with unpredictable side-effects. Forces that blew me back in time, into being a little girl again, someone I have forgotten long ago. It was a time when the most important things of my days were to be read to by my great-grandmother, to let my fantasy open its wings and take me to lands I created and beyond.

As it happened, I grew up too fast, leaving the little girl behind on one of these mysterious, far-away lands.

And so tonight, I smiled and cried at the same time as I was taken back and found, that she was still there.

 

 

Tom Brown deviantart gallery

Nimue Brown website

Hopeless Maine website

Capture1I recently read two short stories by Mark Lawrence, which left me with a distinct certainty, that if someone had made a decision for me, ruling that I was only allowed to read Mark Lawrence for the rest of my life, I wouldn’t even object. The first of these stories was Bad Seed.

‘Bad Seed’ is a dark tale about human nature, guilt and atonement. It grabs you by the throat with its first sentence and never lets you go. The prose has a breath-taking beauty to it that captures your heart and a profoundness that echoes within. It reaches beyond the boundaries of fantasy, feels honest and real, despite the setting. The story itself centres around fighting, expertly describing both the physical scenes and the inner struggles.

Mark Lawrence wields the language as only a true master can. It bends around you obediently, stirs you, shapes you, comforts you and breaks you until you become more than before.

This is where four thousand words ceases to be just a piece of fiction. This is where it becomes art.

Powerful art.

Dark art.

————————————————————————————————————————–

Bad Seed is to appear in the first issue of the Grimdark Magazine, out 1st October 2014.

For more information you can check out the Grimdark Magazine’s Website, Facebook page, and Twitter account. You can also find out more about the story on Mark Lawrence’s blog.

They say everything happens for a reason, but they never tell you what that reason is. As if they have just given you the first part of a story and it is now up to you to finish it.

10600600_10152642472232156_4451562379486677766_nIt’s half past six on the evening of 12th August as I join a seemingly never-ending queue in Forbidden Planet, London.  I’m standing there meekly, surrounded by fans enthusiastically conversing about Robin Hobb, who is signing her new book, Fools Assassin, out on the day.  The sad truth is, I haven’t read any of her books… Yet.

What’s more, the fact that she has already read an interview I did with her editor, Jane Johnson, makes my position even more embarrassing. Hence I arrived here this evening trying to get her first book, Assassin’s Apprentice, as advised and strongly recommended by Gemmell Legend award-winning author and friend, Mark Lawrence. Mark is also known as the creator of super villain Jorg Ancrath, so there can be no messing around here.  I steel myself. I might never have been to a book signing before, but I know my bookstore. If only I could just push past these few hundred people to get to the shelves. And I do.

The Forbidden Planet Megastore is an enormous piece of amazing sci-fi/fantasy heaven. They have a huge selection of signed books, an amazing collection of graphic novels and geeky merchandise. They have regular events, signings and very helpful, lovely people working for them. If you’re ever in London, I very highly recommend a visit.

1622253_10152642473047156_3170623516283231441_nSo, anyway, a little later I’m standing meekly in the queue, pretending I’m not that crazy woman who just waded through an entire crowd to discover that ALL Robin Hobb books have been previously removed from the shelves and transported to a big table near the signing. I compose myself, trying hard not to show how completely out of place I feel amongst her readers, avoiding eye contact, in case they start chatting to me and asking questions, as if I am in some sort of danger of being found out and immediately evicted from the premises. But as I’m trying, rather unsuccessfully, to hide I catch sight of a friendly woman with long brown hair, waving to me from the front, near the signing desk. I know her.  She is Jaime Frost, HarperCollins publicist. But for all I know she might be waving at someone else, right? Behind me? No. She’s calling out my name now, giving me an amused look upon seeing my utter confusion. And that’s me, right there, very neatly captured: Crash-landing, as usual, right into the middle of things from another planet, but getting the green light to go, even so.

10603223_10152642488822156_7922945227500356246_nTime passes. Eventually I’m ready to leave the store some time just after eight, happily posting on Facebook about my dedicated copy. Despite being one of the last in the queue, I don’t get to talk much to the author as she has another billion copies carried to her table to be quickly signed, so instead I have a quick chat with Jane Johnson. She spots and compliments me on the thorn rune necklace I’m wearing and I inquire about her time at the Edinburgh Festival with George R.R. Martin. I also ask her to sign two of her own wonderful books that I’d brought with me – The Salt Road and The Sultan’s Wife.

After this I walk through a rainy Covent Garden to check out another event I’d booked a ticket for: ‘Fantasy in the Court’. All I know is that there are supposedly many authors taking part and you can get your books signed. I arrive there (already bearing no less than three signed books) to find people happily chatting away in Cecil Court and as far as I can tell no signings going on whatsoever. The little bookshop is absolutely packed and it’s almost impossible to get close to the shelves and choose anything. I only truly recognise one person in the crowd, who also notices me and very kindly turns to say hello – Joe Abercrombie. Although I had briefly met him here just about a month previously, he has since been on a US signing tour, where he presumably met many readers, so inside I’m somewhatcapture1 flattered he recognises me – even if I had given him a bloody huge chocolate-whiskey cake on that occasion. (It was the launch party of his new book, Half a King, after all.)

Right now I’d like to buy one of the other books of his that I haven’t read yet. I decide on The Heroes, but I’m told at the till that they only have his old books at higher prices, and Heroes would be around £60. Knowing I’m seeing him the next day at Fantasy Faction’s Grim Gathering I choose not to proceed and finding the crowded, loud bookshop a little too much, I decide that perhaps this event is not for me after all and that I should leave.

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I’m just stepping out of the door when I suddenly come face to face with fantasy author / military officer Myke Cole, with whom I did a quick interview last year for the Bloody Cake News Facebook page, and since I follow him on social media we interact online every now and then. He’s very friendly and quickly introduces me to his beautiful girlfriend, Mallory O’Meara and various other people he’s chatting with. One thing leads to another and I end up having a great night out, meeting both new people and ones I already know, rounding it all up in a nice tapas bar in good company, including Viking expert fantasy author Snorri Kristjansson and two of the loveliest people I ever met in publishing, Jo Fletcher books’ very own Andrew Turner and Nicola Budd.

The next day is Grim Gathering day. It’s actually the sunniest, warmest day we’ve had all week, as if even the Gods from above would want a clear, pleasant view of the proceedings. And we’re all in for a treat!

10386822_10152593784847156_6119224580918034098_nFantasy Faction, led by Marc Aplin, somehow manages to bring together four gritty fantasy authors we all want to see in the same panel: Peter V. Brett, Myke Cole, Mark Lawrence and Joe Abercrombie. There is a happy, excited buzz downstairs in Waterstone’s Kensington Bookshop as we gather, filling up the space completely. And though I cannot claim to be a big expert on panels, I would say this one works like magic. It’s intelligent, interesting, funny and most of all, highly entertaining. A fellow blogger, Jaco van der Byl, captures it perfectly when he writes:

“Their personalities are unique and quite complimentary. Peter V Brett is thoughtful, confident, and well-spoken. Myke Cole is a philosophical motivational speaker with a shotgun. He’s a veteran—thank you for your service, sir— and still works for a police department and the Coast Guard while being a god in his “spare” time. So, his personality makes sense. Mark Lawrence is soft-spoken, and commands a great deal of wit. Joe Abercrombie is the loud-mouth, but in a good way. He’s charming, charismatic, and naturally funny. Good best man material.”

10620664_10152598594332156_2111127467290802827_nMany times, when Myke Cole says something, I find it so inspirational; I feel like wildly clapping afterwards. I feel especially motivated when he talks about how arts should never be restricted and that you should always head towards things you are scared of. I think there might be a video online about all this soon, so I won’t go into great detail. Suffice to say, that we enjoy it a lot and it seems to come to an end all too soon. The panel is followed by a book signing, where all four of them are awesome enough not to just sign, but even doodle in my books.

For my part I prefer dedications in copies I’m currently reading or about to read to having them in perfect hardbacks destined to sit on bookshelves untouched. For this reason I ask Mark to sign a David Gemmell book for me I haven’t read yet (and since I often see people commenting on how their styles are similar and given that he’s won the David Gemmell award this year, this just feels appropriate). The store doesn’t have Myke’s first book I’m yet to read, so I get the most recent one, Breach Zone. Once again I almost get The Herobu_khwicmaa3r6f-largees by Joe Abercrombie, but a guardian angel presses a Half the World ARC into my hands while I’m queuing, which having just read and reviewed Half a King, it’s prequel, I’m most pleased and excited to receive.

As for Peter V. Brett I buy his first book, The Painted Man, and as a little story on the side I explain to him how I couldn’t really get into it before, but I want to give it a second try. Basically last year, after I finished King of Thorns and entered the ranks of Mark Lawrence’s more serious fanatics, I was looking for something to distract myself with. This was a time when I felt like murdering every single cheerful reviewer of the Emperor of Thorns ARCs, (THE BASTARDS!!!), while I was brooding at home about the unfairness of the world, most terribly EoT ARC-less. The Painted Man was the first of many books I picked up to soothe the pain. Nothing helped. But this is all fine, because I’m ready now and I know that this is an exceptionally good fantasy series (all my friends who have read it tell me so). And really, he’s a very popular author, if not the most popular out of the four and being honest, I’m nobody. So there is no harm in telling him all this with an apologetic smile, it’s not something that is likely to bother him, after all.

But as I finish my piece I see something behind those eyes. I couldn’t call it hurt or even disappointment. It’s like a dark shadow flying swiftly past the sun. It’s the tiniest, unconscious flicker that breaks my heart on the spot and makes me feel like running away to find a quiet corner and reading the book immediately, so I can tell him how much I loved it.
I feel really bad even later, as we’re all in a pub, but when Mark hears about it, he still gives me a powerful little speech on how good The Painted Man is, as only someone who repeatedly broke my heart with his own books can. He loves Peat’s books and I’m really not sure how to reassure him that this negligence on my part will soon be rectified.
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During this event I meet a number of other people I was looking forward to seeing in person. Author T.O. Munro, whose excellent Lady of the Helm I’m currently reading, is definitely one of them. I also get introduced to Ace Books legend, Ginjer Buchanan, who I have huge respect for. It’s great to chat with other readers I only ever see online and the evening goes by too quickly.

Something I will never forget, though, is watching Mark Lawrence talking with his readers, who stand around him in a circle in front of the pub. To be more precise it’s him talking endlessly, enthusiastically and his audience drinking it all in, mesmerised, their smiles reaching their big, bright eyes as they listen.

10505305_10152597996922156_6014794854944548550_nOnly the previous day Mark tells me how he himself was always anti-social. ‘I knew a guy,’ he reflects, ‘a math genius, completely hostile to company, but when he needed to “turn it on” the whole room focused on him – he held everyone in his hand… a kind of magic…”. Bullshit, Mark, I think to myself smiling, since he IS that guy, right there! It’s like watching precisely a kind of magic you cannot name, but it touches your soul and you know it to be true. You know it to be right. Our ancestors were sitting around the storyteller a long time ago at the fireplace, enchanted just like this. I try to take some photos of them, but the pictures fail to give back any of this. As if modern technology still hasn’t really learned to capture what’s important to the heart.

Two days later I’m accepting an invite to a birthday party not to be missed. Apparently there will be a magician, face painting, cake and everything. We are to celebrate Jo Fletcher books’ fourth year anniversary party.

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That evening I walk into The Fox at Excel, which I find to be a massive pub, full of folks, convinced that I cannot know more than five of them at most, but as it happens I find one of them, Michelle Herbert, almost straight away. We soon find Andrew Turner together, who to my great disappointment decided against dressing up as Batman as originally planned, and other friends we met earlier this week.

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Having said that, my general impression throughout the night is that people are very friendly and easily approachable. They are all happy to make your acquaintance and network. In fact, if you tell them you’re a blogger, they give you their cards straight away. Seriously. You fancy an author/publishing person and want to find out more about them? Just say you’re a blogger. I swear, it works like a charm.

10577076_10152644819292156_7955568161357785121_nVery soon, on my way to the bar, I bump into an American novelist friend, Daniel Polansky, who is the author of the excellent noir fantasy trilogy, Low Town. He gives me the last copy of his new short story, ‘A Drink Before We Die’ (fittingly, while we wait to be served at the bar) and then introduces me to a number of other authors, including Robert Bennett and John Hornor Jacobs, while in turn I introduce him to Wesley Chu, I’d also just met.

I manage to chat a little with all of them. Robert’s much acclaimed book, City of Stairs is coming out in hardback here, in the UK. We get an excerpt at the party, which I quickly get signed. Also, he’s one of the most hilarious guys I follow on Twitter.

10509635_10152602667122156_691702019259820734_nAbout two hours later Dan tells me that he’s leaving soon, so I ask him to look after my bag for a few minutes while I quickly look around to see if I can find Jane Johnson and her husband to say hello. I do a few circles and eventually come back to the table disappointed, at which point someone tells me to check outside as many people are out there.

I walk through the downstairs area once more, through the doors and eventually make my way towards the tables. It’s fairly dark outside and I cannot see Jane anywhere, but suddenly I spot one of her authors sitting right in front of me.

Capture12I hesitate to ask him, but there is Dave Lally, a BSFA membership officer I had met earlier at the bar (and whose card I’d received, ha!) sitting with him at the table, and he’s inviting me to come closer, saying it was OK. So I walk on, looking at an author I would recognise anywhere, and tell him ‘Sorry, I’m looking for Jane Johnson. I really didn’t think it was going to be you I’d find here instead.’ He smiles as we shake hands and informs me that he’s definitely not Jane. Not that I cannot see that the person who seems to find my introduction so amusing is in fact none other than George R. R. Martin.

Damn, I think to myself as I remember my bag being with Daniel, who is leaving soon, so I explain the situatio10450344_10152602666397156_888260720994202861_nn and politely ask if I can come back and sit down once I have retrieved it. An artist sitting at the table turns to me and tells me that they don’t want people hanging around. But George, ever so kindly, doesn’t even let her finish her sentence and reassures me that it is fine.

So I walk back to Dan a little dazed and end up returning with my bag and him. I quickly introduce him to George, they shake hands and it feels like we are just two kids thoroughly excited by the prospect of being allowed to sit with and listen to the grown-ups talk. I feel fine. And calm. But truly I’m still in some sort of shock as I tell George about my previous interview with Jane, emphasising how I think it’s fascinating to see authors through their publisher’s eyes, that an interview with them can be sometimes even more interesting than what you’d hear from the author, himself. He really doesn’t know what to say to this revelation. I expect by now he has a wide range of polite answers to being asked for interviews, but perhaps he’s yet to find one to this new kind of approach I’m so enthusiastically presenting him with.

capture2For the next hour or probably more I mainly just sit there quietly, watching him curiously and listen to the conversations.  I decide I like George. There is just this fantastic positive energy to him, matched by fierce intelligence behind those eyes, mixed with joy and a fair amount of mischief. There is a line about J. R. R. Tolkien in The Pitkin Guide to Tolkien by Robert S. Blackham, which says:

“Tolkien often demonstrated high spirits – sometimes on New Year’s Eve, he would dress up as an Anglo-Saxon warrior or a polar bear and chase his neighbours.”

Somehow, observing George, I wouldn’t really be surprised, if I heard similar stories about him.

For now he sits there like a Godfather of modern fantasy, while people keep appearing every five minutes to pay their respects. The closer ‘associates’ get to sit down and stay longer and as such, Lord Grimdark himself appears after a while and joins the table. I cannot help but grin as I shake Joe’s hand the third time in four days. This ‘bloody’ woman is just everywhere.12502_10152602148427156_6890661494926746059_n

As Daniel has left some time ago, it’s actually quite nice to have someone else around who I already know and whose books I read. I understand more from their conversation as I observe the two men, who undoubtedly have a mutual respect and appreciation for each other’s works, blithely interacting.  I also sneakily take a picture of them, each, as surely no one is going to believe this of me otherwise.

Once Joe leaves too I end up talking to George’s friend, Melinda M. Snodgrass, who sits between the two of us. Melinda, who has known George for a long time and also created the Wild Card Series with him talks to me a bit about herself and both her and his influences. She’s absolutely lovely and supportive as she asks me about myself and patiently listens to me rambling on about my impossible journey that within a year saw me being pulled into the very heart of SFF from absolutely nowhere.

10378068_10152602148702156_3945394066408435692_nI passionately talk to her about The Broken Empire series that changed my life so completely and my friend, Mark Lawrence, at which point George looks up at us, too and asks: ‘Is this that thorn guy?’ A simple question in a London pub that triggers immense joy and wild enthusiasm in fans across half the world as Mark posts about it online the next day.

The evening eventually comes to an end and as we’re standing up George steps towards me to shake hands again and say good-bye. I’m absolutely melted by the gentle kindness he’s showing to me, something I will remember and carry with me for the rest of my life – like a token woven into my own story as a reminder when I next read a story of his or write mine.

10606113_10152606817702156_6250926248343987928_nEncouraged by all these events I decide to actually buy a day ticket for the 72nd World Science Fiction Convention for Sunday and see what a WoldCon is all about.  I’ve heard somewhere that it is the biggest in Britain to date, even that it is the biggest so far full stop, but one thing is certain, it is huge. Just the pocket programme guide is 240 pages long.  I’ve never been to the Excel (Exhibition Centre London) before either and the only thing I can compare it to as I’m walking through its large main corridor punctuated by many cafes is an airport.

Arriving at my first ever convention day after attending the Jo Fletcher party on Friday also makes me feel like I’m now here for school. There is a vast timetable and the first class I pick is with Myke Cole, who takes part in a panel discussing drones. He’s being his own charismatic self, his explanations both interesting and enjoyable. He has a certain air of command to him, confidence and thoughtfulness, which all makes me think he must be really great to work with.

10380293_10152606817332156_2367692495115720131_n1Next I go and attend another panel with Mike Carey on it. Mike Carey is a British writer, author of the Felix Castor novels, writer of Hellblazer, adapter of Gaiman’s Neverwhere and writer on X-Men Legacy and Ultimate Fantastic Four for Marvel Comics. Earlier this year I reviewed his book, The Girl with All the Gifts, which was most excellent and I cannot recommend it enough.  Today he’s talking about writing and pitching comics with Maura McHugh, Paul Cornell, Debbie Lynn Smith and Mary Talbot. It is fascinating to hear about creating comic books from a writer’s perspective and the collaborations between writers and artists.

Once the panel has finished I go and say hello to Mike, but as we’re both bound elsewhere we decide to meet up later in the afternoon. I leave the room and attempt to find in the programme guide where Scott Lynch’s reading will take place. Except it’s not there. Though I’m pretty sure there is one in two minutes because I’d seen it online the previous night.

10613017_10152606812947156_7213671811388501467_nI’m hurriedly flipping through the pages but I just can’t see it anywhere. Maybe there is a separate section somewhere for readings? To get out of others’ way, as they are all rushing to their own things, I slump into an empty chair and spend the next five minutes searching for the damn location in vain. By this time I’m quite annoyed because I’m certain I’ve missed it. In the end I solemnly resign myself to doing something else instead and look up briefly for inspiration. But as it happens there is no need to look any further. Scott Lynch, himself, is less than a metre away, right in front of me.

At least I think it’s him, as I’ve only seen him in pictures before. He stops briefly at a water cooler on my right to get some water as I’m staring at him in disbelief, then he rushes on with three people around him which in turn makes me shoot up from the chair and dart after him. It’s not easy but I somehow manage to overtake him as we’re all speeding through the corridor, so I can see his face again and ask if he is indeed Scott Lynch.

10419606_10152606815127156_4734703559370553989_nHe confirms my suspicion and I inform him happily how I’m coming to his reading. ‘That’s great, then you can maybe show me where it is!’ He says with some clear frustration in his voice. It turns out they went into the wrong room by mistake and were now also looking for the right place. Someone in his team, however, seems to know where we’re supposed to be, so we’re just all following the person hoping she’s right.

We rush through corridors, stairs, go out of the building through one door, come back in again through another, all the while I just can’t believe my luck and start enthusiastically babbling to him randomly about mutual friends and acquaintances, how I’m supposed to know how great his hair is and God knows what. To his credit he endures it with remarkable patience while he’s clearly annoyed by running late and as we’re racing through the massive building side by side in such a peculiar manner, it’s not unlike one of those hilarious scenes you see in television comedies.

Finally we come to a small corridor with doors on both sides and lots of people waiting outside. For a heartbeat I hesitate. Maybe they haven’t gone in yet? But I’m not going to lose sight of him now and I fling myself after him through the last door. It’s full of people. Definitely the right place. There are no more free seats but I can stand at the wall, just next to the door. He apologises for a sore throat as he sits down to the desk and starts reading. I can’t help grinning as I take a few pictures of him, broadcasting my good fortune online and eventually happily melt into his keen audience.

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Half an hour later it’s Joe Abercrombie’s turn to take over and read from his own book. To my astonishment a few people stand up and leave with Scott. I have no idea why they are going or what those noisy people still outside are waiting for, (what else can be more interesting?), but I take one of the seats quickly, so when Joe walks in I’m already smugly sitting in the middle of the first row (where else?).

10615633_10152644971037156_5407350372727254647_nThere is some discussion taking place at the door regarding the lack of free seats and that is the moment when it dawns on me that all those people waiting outside are there, because with no more free seats left they were not allowed in. I silently gulp as I realise how I would have never made it in had I known where the reading was going to be in the first place. Funny how sometimes only by being lost you can get to the place you were meant to be.

Joe very generously offers his chair to a person, so one more fan can be let in and proceeds to read standing from his upcoming book, Half the World. I feel the title ‘Joe Abercrombie reading’ does not do credit to the business we are being presented with and it should be immediately renamed as ‘The Joe Abercrombie Show’ – in the best possible meaning of the phrase. Joe Abercrombie is a natural entertainer, who seems to enjoy the attention and we are all happy to give it to him. He is captivating, he’s funny, he’s energetic. He hardly looks into the book as we are treated to a highly enjoyable theatrical performance. He reads the first chapter, then answers a few questions and the half an hour flies by quickly.

10580062_10152605728857156_450188842900895895_nIf at this point, you are still with me reading this, you are doing great! And I’m impressed! With both of us! 😀 So let me tell you how I make my way to the Second Stage where Jane Johnson is about to interview Robin Hobb. No one is getting lost this time. There is a huge queue in the middle of the building in front of the auditorium, indicating where everybody is heading. I join the end of the queue fifteen minutes before it starts and, guess what, somehow I still end up in the first row. Maybe only because I’m alone, but to be fair no, I don’t know how. The acoustics are very good however and there is a huge screen, too, so everyone can see and hear every word of the superb conversation very well.

10505309_10152605744952156_6642667652763471374_nThere are a lot of interesting things mentioned during the good hour we all sit there and what strikes me the most, having yet to read her books, is the extraordinary planning work cleverly reflected in the series. Robin Hobb tells us how she is very fond of puzzles and how seeds of storylines are carefully planted throughout the books to grow, flourish and bear fruits at much later stages. They also talk about the importance of the editing process and how much work is still being done once Jane points out parts she feels need more clarification.

I have recently written my own little first short story, which I have shown to a friend, who pointed out a handful of things needing further explanations. At that point I felt a little disheartened for not realising those things myself before and not entirely sure if I can even break up my precious writing now and stick in ‘stuff’ for further clarification, but their honest account of the serious work they do together when editing a book comes as a great comfort and encouragement.

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I leave the auditorium feeling motivated and much taken with Robin Hobb, as a person, to go and find another one of the coolest authors I’ve ever known, Mike Carey. The X-Men comics were amongst my favourites back when I was just a teenager and the thought of meeting and chatting with someone who actually wrote the series for a while is amazing. However, once I find him and we sit down in one of the eateries, it’s The Girl with All the Gifts that I start talking about. He tells me that the movie they are making from the book is coming along nicely. He also tells me what he’s writing about currently, which I’m not sure I’m allowed to say, so I won’t, but the concept leaves me with the same feeling The Girl with All the Gifts had on me – chilled to the bone by the very idea but wanting to know more.

10432127_10152645116362156_3628546419922942910_nWe talk a lot about writing and I listen to him awestruck. He makes me realise something I guess I have already known, though we all sometimes just need to have things thoroughly spelled out for us. As he speaks he reminds me that fantasy as such has no limits and through the many books and stories he mentions I become more and more aware that when it comes to my own writing, I’m holding back. Somewhere on the way I’ve built walls around my imagination that feel safe and grown-up, despite the fact that some of the best stories have the craziest ideas behind them, and I feel my eyes are re-opening to a world full of possibilities.

10641022_10152645114137156_5575933674226902178_nAlso, not that I’m not impressed with him writing another novel, being involved in movie making, television series making, comic writing, taking part in events and I don’t even know what else, what I consider a particularly amazing achievement is finding out he wrote two novels together with his wife, Linda and their daughter, Louise. He laughs, as he tells me, that of course there were many arguments, but this collaboration helped him immensely to be able to write Melanie’s character so convincingly later in The Girl with All the Gifts and also taught them a few things about each other and themselves.

10310666_10152606817537156_7690730003113502267_nAfter a while we leave the café and walk to the market, which is set up within one of the huge halls. While we are both looking at books at one of the stalls, he finds a copy of the first novel he wrote with his wife and daughter, The City of Silk and Steel, buys it and dedicates it for me on the spot as we stare on, lost for words, with the Forbidden Planet staff. Of course, when he hands me the book I cannot thank him enough for the kind gesture. I feel very humbled by the generosity and benevolence that he and so many other people throughout these events have treated me to. I share some of the highlights with friends in the upcoming days, who in turn encourage me to write about the seemingly incredible and very fortunate events.  So I arrange the new books on the shelves, my thoughts on the paper, all the while pondering where to take things from here.

They say everything happens for a reason, but they never tell you what that reason is. As if they have just given you the first part of a story and it is now up to you to finish it. Every step I take becomes a sentence in it, every decision a turn. This is my story. What’s yours?